Sunday, January 27, 2013
An area of darkness
The misplaced affections of Indian film criticism over time is largely
responsible for Indian popular cinema being derided across the world as
inferior to the best European or Hollywood fare
The study of Indian cinema as a subject of critical engagement and
analysis almost coincides with the release in 1913 of Raja
Harishchandra. Its maker Dadasaheb Phalke was an avid critic and
commentator on the cinema of his day, and even released a 'Making of'
featurette, following the release of his film. This precedent has been
actively followed. Over the last century many of his successors have
held forth on Indian cinema, providing great insight into this new art
form.
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